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North Park artist turns cremated pets into art

By David Moye

June 6, 2006

San Diego--If you’ve got some cremated pet ashes lying around, there’s an artist in North Park who’s dying to put them to good use.

Daniel Ortega is the creator of “Ashwork,” a medium that mixes pet “cremains”—or cremated remains—with stone, plants, and dirt to create one-of-a-kind black and white or color works of art.

The only thing Fido fetches nowadays is a handsome price

Ortega says he was inspired to create his ashworks on November 2, 2000, after attending a Day Of The Dead celebration in Mexico.

At first, he held off launching the morbid tributes because he worried people wouldn’t accept it.

However, the idea stuck with him until finally he called the local Humane Society to ask what they did with the ashes of unwanted pets who get euthanized.

As a result, Ortega was able to hook up with a truck driver for a crematorium whose job was to take pet ashes to a Los Angeles landfill.

Once Ortega convinced the driver he wanted to turn the ashes into sincere pet tributes, he managed to get five pounds of powdered dogs and cats for experimentation.

Amazingly, Ortega had a doggone good idea. He now sells his “Cremation Ark Work” for between $225 and $900 a pop and has completed at least forty of his Fido masterpieces.

Ortega has each pet owner fill out a biography on the deceased animal that he uses for inspiration. Sometimes he sculpts personal symbols into the art, “as long as they’re not too complicated.”

However, he also has to use his imagination since once he gets the ashes, “a golden retriever and black Labrador look the same.”

So far, Ortega’s ashworks have been limited to dogs and cats. That means no canaries, ferrets or other animals have been given his special treatment. Still, he’s willing to do--and looks forward to doing—a piece of art dedicated to a lizard.

He’s also willing to make pieces from human remains—if customers sign waivers for the finished piece.

In fact, he’s done pieces using the ashes of his niece and his father, but puts the human cremains in vaults behind the artworks, rather than scattering them on the painting itself.

For more information on Ortega’s works, check out www.petstone.net.

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David Moye is a Vyuz editor and occasional cremains art critic.

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